The weekly episodes of A Threat Among the Stars have been removed in preparation for the release of the book on Amazon in January 2019.
My Amazon page:
Yeah, the usual look at the sales and WiP and stuff.
But first! MILESTONES IN REVIEWS
The US Amazon site logged it’s 200th review! On 31st May, Hao-Ying Feng logged a 5 star review after a binge re-read of the series. Thank you! And thank you to each and every one of you who reviews on Amazon, Goodreads or by messaging me. All hugely welcome and important for me.
AND while I’m talking reviews, 95% of the SoH reviews are 4 or 5 star. That I wouldn’t have predicted when I started.
Almost at the same time, Angel Stakes hit 50 reviews in the 6 weeks since launch, and the percentage of 4 & 5 star has remained the same.
What are the next milestones? I guess 250 for SoH or 750 for the series on US Amazon (currently 604). On the series total, I will ‘cheat’ once Winter’s Kiss is written, because then it and The Biting Cold will be part of the series. 🙂
And then 1,000 for both US and UK Amazon added together (currently 711), or 350 on Goodreads (currently 303).
Winter’s Kiss is more than half way done. As I mentioned in posts on Facebook, this sequel isn’t the same length as The Biting Cold (20k words). TBC was written to a specification on length for an anthology, and WK is just to link the story in with Bite Back, so I have more leeway.
I’ve given a couple of teasers on Facebook, linked by mentions of jazz (Amanda loves jazz). In case you didn’t see them there, here they are again:
“Morning found us just a few miles east of Marquette. The sun inched above the horizon, flooding the car’s rear window with hazy gold, etching the edges of the long, low buildings, and throwing our shadow out in front, where the road unwound like an old jazz song in a smoky club.”
“I switched switches on the music center. Little LEDs started to glow, and I pulled out LPs at random until the words jazz and soul songs caught my eye. A collection of instrumentals based on old songs. The list had some of my favorites, spanning the years.
I put the LP on the turntable. It was lucky it was one of those that loaded the arm automatically, because my hands were shaking.
I closed my eyes and waited; part of the drama and romance that I loved about LPs was that moment at the beginning.
A quiet hiss and crackle, full of anticipation, then the music started. A few falling notes were tossed out from a sax, as a ticking drum marked the beat. The piano picked up a couple of the notes, tossed them back. The saxophone held one note, almost too long, and then just let it drop and tumble and flow into the bittersweet melody of Ain’t No Sunshine.”
What else have I been doing?
The print books are a mess. Cool Hand and Angel Stakes not yet available, the sizes have changed, the covers don’t match. What I thought would be a simple overhaul turned into a nightmare. And to help out, CreateSpace (Amazon’s Print-on-Demand company) have changed their specifications. Everything is a PDF now. Not such a problem for the body of the book, but I have no graphics programs that save as PDF. I ended up loading the image into Word and using that to save. Which of course leads to warnings that my resolution is low. Grrr.
Adding to the frustrations, I use Word for writing, and Word’s print book formatting functions are flakey.
Anyway. I have submitted Cool Hand and Angel Stakes to CreateSpace and they now enable reviewing online, allowing me to skip the physical book review process. The print books *should* be available in the next week or so.
I apologize for the covers. What I’ve done is simply take the eBook cover, added black for the spine and back page and written on the black. All fine as long as the I’ve allocated *exactly* enough width for the spine.
I will do a rework of the covers and get everything to match in size and style, but it’s not on the critical path.
The print book fiasco means that I haven’t progressed with my other non-writing writing project, which is to create cast lists and summaries of story-so-far for each Bite Back sequel.
I did a big review last month, so I’m not going to repeat that since the figures haven’t changed dramatically. Instead, I’ll look at the overview and implications.
Averaged out at the moment, I guess I’m selling 600 books a month and that needs to be 1,200.
I’m still selling 70-80 Sleight of Hand a month, and a percentage of those go on to read the entire series. Amazon only knows the exact figures, but the sales stats suggest to me that about 80% of people who pick up SoH now go on to read all of the books in the series. This is as opposed to the figures of readers who picked up SoH back in 2012, which is about 25%. That low percentage is based on the total sales ever of Cool Hand as a percentage of total sales ever of Sleight of Hand, and it does creep up as some people just take their time going through the series.
What does this mean? Very approximately, I believe that if I had ten Bite Back books now, my monthly sales would be 1,200. The problem is that writing that next 5 will take me 5 years, and in the meantime SoH would slide.
What am I going to do about it? Write realted or unrelated shorter stories that I believe may bring in readers who wouldn’t otherwise have picked up Sleight of Hand, but who like the shorter stories enough to try the series.
I’d like to try out writing novels in two parts – a short story of around 10k words which tells a story but ends on a cliffhanger, and leads straight into a novella of around 50k words. This is close to the way The Biting Cold turned out. TBC was actually 20k words and Winter’s Kiss will be about 40k, and TBC didn’t end on a cliffhanger, but you get my drift.
I have a couple of ideas kicking around in my head – one in the Bite Back world but set in Canada and sharing none of the cast, another a SciFi novella and completely different. Oh, and one set in the 17th century Caribbean that popped up in a conversation with Debra Dunbar (that one might be related to Bite Back).
This does NOT mean that I’m less committed to Bite Back, but I think I can do these things and still get one Bite Back novel out every year. We’ll see.
Other projects – German
German translations have stopped at the moment. I need to get another translator, but I have to say that I need to re-examine the income to see if the cost is justified. I think I’d prefer to hand over to a German publishing company who do this as a business. I need to talk to people.
Other projects – Audio
Julia Motyka is unavailable until September, but assures me she’ll be back in the studio with Angel Stakes then. Audio sales are reasonable (as far as I know) – SoH 1,578, HT 668, WC 504, CH 273. Are there any writers out there with audiobooks who would be okay to share their sales with me?
I asked people on the Facebook site what music Amber listens to. What a wonderful response, and a huge playlist to sort through! Great fun. Thank you all.
I’m planning a trip to America this year. My bio says I’m frequently in the Rockies and I haven’t been. At the end of August & beginning of September, I’ll be with my daughter in New York. After that, I hope to work my way down the Rockies from somewhere around Bozeman, Montana to Albuquerque, New Mexico, taking in Denver, Cheyenne and the loneliest road in the States. I hope to end up returning to UK via Boston and maybe catching some fall colors. This is a research and writing trip, not a book signing journey, but I’ll be happy to sign books, meet readers and attend conventions. If there’s interest, I’ll publish an itinerary closer to the time.
As ever, toward the end of writing a book, other things get pushed aside. Not everything can be treated like that!
The main beta panelists have received about 70% of the book. My sister, who is always first stop, has received about 75%. Lauren Sweet, my editor has received 70% + a reasonably full synopsis to the end. I have written more than 90% of the book.
Providing the book in chunks to the beta panel has been a very positive experience for me, and the feedback has been good. Each chunk has been reasonably self-contained and tended to end on cliff-hangers. Each chunk was only the new chapters, so there’s been no requirement for the beta readers to re-read from the start each time. And that methodology, I was starting to suspect last month, had obscured a problem with the book regarding the overall structure.
Lauren agreed after reading through the 70% and the synopsis to the end, although we came to the same sort of conclusion from different angles. Mainly, that the book doesn’t get going on the main plot early enough or strongly enough.
That probably sounds worse than it is. Certainly, I had a panic when I realized it. However, after a long Skype with Lauren, what it seems to come down to is about half a dozen extra scenes, an expansion of three existing scenes, a dash more relationship, a reworking of a sub-plot and … gosh, that sounds bad as well. What it really comes down to is I intend to have the book to Lauren needing only copy-editing work by the end of November.
So…prediction…Angel Stakes will be published in December.
Wild Card audiobook
Julia Motyka is hard at work at her studio in New York. I’ve heard the opening chapter, and we’ve had a long and hilarious Skype conversation where she nailed all the voices and accents required in the longest book of the series so far. Julia is amazingly versatile – have a look back through on the Bite Back Facebook page and listen to the Hidden Trump sample I posted. She gets the fussy Judicator Remy (think Hercule Poirot) alongside the slightly other-worldly, slightly Greek sound of Diana and the snarky, Mid-Western sound of Amber.
Anyway, Wild Card in audio will also be published in December.
Wild Card in German / auf Deutsch
Also due soon, very possibly at the same time as Angel Stakes and the audiobook. The name in German is Entfesselter Wandel, which sort-of translates as an ‘unbridled change’. Kinky! I just couldn’t find a title that had the flavor of Wild Card without using the word ‘Joker’.
Und so, dieses Buch wird im Dezember veröffentlicht werden. (Ich hoffe).
I know, I know, I’m due to rework the covers, going back to the old format with new photos. Unfortunately, for technical reasons, the last photo session with Maria didn’t produce what I needed. I obviously need to arrange another for Angel Stakes anyway.
I’ll keep you posted.
Most of you on this page and on Facebook have already provided me reviews, and I’d like to take the opportunity to thank you. I read every single one (even the negatives), and almost always take something valuable from them.
If there are friends you know who’ve read the books but haven’t reviewed, I would appreciate you giving them a nudge. I mean that whether they liked them or not. Amazon’s rankings of authors is based on not only sales and reviews but how recent those reviews are, and my new reviews have slowed down quite a bit.
To be completely clear; I’m not asking for 4 or 5 stars or positive reviews, I’m genuinely wanting to know what people thought of the books, including what might have made them better.
Also, this isn’t just about Amazon. Goodreads is a great book-reading community (even if it has some strange nooks and crannies!) and many people look to their reviews and recommendations.
Plagiarism and Copyright Theft
You probably know my opinion, and you’ll certainly know my opinion if you have a look at my personal Facebook page or the Bite Back page.
Rant Mode ON
I can’t understand those authors who shrug off copyright theft and simply say “oh, it’s like promotion for me”. It’s a disease. Type the name of any of your favorite authors or books into Google with a tag ‘free’ or something like that, and I’m guaranteeing that within a screen or two, you will find links to download a copy of their books without payment. Some of these downloads are viruses, and frankly, I’m sometimes tempted to start doing that. Some of them you get free downloads in exchange for a monthly fee. In a huge number of cases, these are plain theft, and the author gets nothing.
Strangely, those authors who shrug off this kind of theft get more upset when their books are plagiarized. I have seen books for sale on Amazon, where the only effort the ‘author’ has put in has been to do a search&replace on the names of the principles, and slap a new cover on.
The cost of fighting plagiarism, even if it’s a slam-dunk case? Over $50,000 and the thief simply says “can’t pay” and walks away. Ask for links if you want a specific case.
Rant Mode OFF
I restrict myself to half a day a month to get upset over this, because even working tirelessly 24/7 as an internet masked avenger, I could not stem the tide. I have recently managed to alert an Aussie author to plagiarism and get the thief thrown off Amazon, and I have to take comfort from such small victories.
Once Angel Stakes is published, I have a long-standing commitment to make my late mother’s unpublished book available. It’s a colonial-era murder mystery set in the remotest bush station of Northern Rhodesia, and it’s a cracker. It only requires editing and formatting, so this won’t be a huge effort.
After that, Bian’s Tale book 1 and another short story/novella to weave Biting Cold’s Amanda and Scott into the Bite Back series.
Then Bite Back 6!
Just ambling along. Nothing exciting to report apart from The Biting Cold, which I’ve handled in Marketing.
The Biting Cold was a surprise. The story had already been published in the anthology last Christmas and many (?most) of you have that already. But what the hell. So I cobbled together a cover with Jessica and Joshua, got you guys to vote on it, put a chapter of Sleight of Hand at the end and…
Well, hold on now, do I just sell it like the others, or do I give the Kindle Unlimited (KU) option another go?
Raw Deal has been on KU for a while and it’s been…unexciting.
I put TBC straight into KU and I was impressed by the number of KU readers it got. I can’t tell you how many, but the number of pages read (which is what Amazon pays me on) peaked at 3,500 a day. I think that means about 25 people read it on that day, at the same time as another 40 people bought the book. That happened two weekends running, and there’s a total of 29,000 pages of TBC read in KU in the three weeks since release, just in the USA.
Okay, so that’s not going to deluge the bank account. I’d be surprised if I make much more than $300 in the month. 🙂
But, given it was just a short story, it impressed me enough that I removed SoH from Kobo (Amazon require exclusivity if you go on the KU program). The two existing German translations, Die Verborgene Hand and Trumpf im Armel, are exclusive to Amazon anyway, so I put them on KU as well. This is a 90 day test.
SoH hasn’t responded. There have only been a couple of readers through KU.
The German readers, however, have rocked. It’s too early to tell how much, but I’ll update you next month.
Other marketing? I’m also on twitter. I’ve no idea what I’m doing there. No one seems to engage much.
I am *still* waiting for ACX/Audible to finish ‘preparing’ the Hidden Trump audiobook.
Julia finished narrating around the 10th July. She needed the payment to go through ACX/Audible for guild and tax reasons. We asked ACX how to achieve that, given their website only envisages sending a bank check from an American account. Parochial or what?
We finally got a response on the 27th July, giving us the details of an account to which I could send an electronic transfer. The account details provided to me were wrong!
On the 29th I had to re-send the money. (I’ve requested that the paymaster cover my costs of $80 levied by the banks for sending it to the wrong account. He’s ducking).
Around 5th August, the ACX paymaster ‘posted a check’ to Julia.
On the 17th August, Julia got the check and updated the appropriate status in ACX.
The book status changed: “Now ACX will put the audiobook through a quick final quality control process.”
On the 26th August, the book status changed to “Preparing audiobook for Amazon, Audible and iTunes”.
Where it remains. Sigh.
Wild Card (Entfesselter Wandel) has gone through preliminary translation into German by Peter, and is sitting on Heike’s desk waiting for her to do proofreading and layout. She’s reserved a slot, but not till the end of October.
The beta readers are about to receive the 3rd section of Angel Stakes, which I originally said took it to the midpoint. Okay, it’s not the midpoint. It’s somewhere between 2/3 and ¾ of the way through the book.
There are reasons for this estimating error on my part.
- I’m not good at estimating.
- With a book that has multiple themes, which ‘mid-point’ do I chose?
- I’m very bad at estimating.
It’s proceeding okay. As I go through editing, I’ll be looking for a few other short non-spoiler sections to release as teasers.
The second section of Angel Stakes will be with the beta readers in the next couple of days.
How much of the book is this? Well, the first section I sent out took the book to one of the standard ‘structural’ points, called the ‘first turning point’. Theoretically, this is 25% of the book. That section happened to be 27k words long. The second section should be up to the second major structural point, called imaginatively the ‘mid-point’. What I’m sending out isn’t quite that far. It’s about 34k words, and there are two major twists to come before the mid-point. So if we say 10k words to get to the mid-point, then half the book will come to approximately 70k, and that means the final book may be as long as Wild Card.
Having said all that, my structural points occur at different places to the ‘average’ book, partly because I’m writing a series and partly because I have multiple threads and each thread has its own structure, which might displace the main book structure slightly.
We’ll see. I know what happens of course, but how many words it takes me to say it, and how long it takes me to write it, are estimations that I’m not good at making.
Hidden Trump audio
What a labyrinth!
It has taken Julia Motyka and I over three weeks to get the Audible / ACX payment details provided to us. When I hired Kimberly to read Sleight of Hand, I paid her directly, which was easy. Because Julia is also an actor and director and needs to channel all payments through her guild, I have to pay her through the ACX approved ‘paymaster’. Easy – “send us a cheque/check” they said. Can’t do that, I’m a UK citizen and don’t have a bank account in the US (and it’s near impossible to acquire one). Surely, we said, surely, there is someone who understands that US narrators might get paid by UK authors? Eventually, there was, and he provided me with bank details for an international bank transfer. To a dead account.
The funds were returned to my bank. My bank called me (and warned me that both their charges for the transfer and the charges from the US bank were taken against my account). I emailed the ACX paymaster, requesting the correct account number and their opinion as to what I should do about the bank charges. They provided the correct number and ignored the comment about charges. I’d probably have accepted a simple apology, but what I actually got back after re-querying it was “I never heard of banks doing this”!
Anyway, the payment has been made, Audible / ACX are doing their checking, whatever that is, and the audiobook should be up soon. I hope.
Creeping along. Summer sales are pretty skewed anyway, and I’m not sure the Bite Back books are the type you take to the beach.
Anyway, overall, the books are within touching distance of 70,000 total sales, which is great, but as this is the third anniversary of the release of Sleight of Hand, I did have a look at the annual total sales numbers.
Aug 2012-2013 40,000
Aug 2013-2014 60,000
Aug 2014-2015 70,000
Which represents a disheartening slow-down. I know some of the problem is that, especially in this genre, output as measured by books is what keeps you in the rankings, and staying in the rankings is what drives sales. I write longer books, I release them slowly, and inevitably, I slip a little in the rankings.
I had that in mind when I started plotting Bian’s companion series – they seemed, at the plotting stage, to be shorter, so I could write and release them more quickly and the two series would feed each other. Ha! I can’t write short books it seems, and trying to keep the first book of Bian’s Tale short may have been what caused the writing to stutter. I will return to Bian’s Tale, but inevitably that will slow the release of Bite Back books.
There appears to be an opportunity to improve sales when I can devote more time to marketing. To take one example, slightly less than 50% of the people who bought Wild Card have bought Cool Hand. The reviews and ratings for both are good, so I think I can assume that it’s not that the readers don’t like the series or wouldn’t buy Cool Hand. I can only theorize that, due to the delay getting Cool Hand out, other books/series with higher rankings on Amazon have caught their attention.
Back to writing.
And that was the first half of the year! Gone.
Progress on projects:
The beta panel (much expanded) has spotted a lot of bits, but everyone seems to be on board for the ride. That was based on the first 27k words. The second section takes the story to the half way point and will be with the panel in 2-3 weeks.
Is that where I want to be? Well, no. I keep having expectations based on approaching writing as an engineering project. That works sometimes and not others.
Taking the second section as an example, I have the core scenes written, and have had for some time. I wrote those at 1,500-2,000 words per day. What’s missing is the glue that binds the scenes together. As a result of what happens at the end of section 1, Amber is landed with a train wreck of urgent and important tasks. (So what’s new 🙂 ). The problem is her instructions are in conflict with her instincts as to how the tasks need to be handled. All of them are priority and different ones have different senior Athanate demanding them. And so on. What has stumped me for the whole of the last week is how to present this task list so the readers understand all the ramifications without a huge conversation/meeting. I do big meetings (end of Hidden Trump for example), but not at the 30% point in a book. It would unbalance the story. What I need, three chapters into section 2, is a physical fight, not a heated discussion. I need to present the list of tasks while Amber’s having a fight!
Anyway, in summary, it’s going reasonably well. Not so well that I’m ready to give publishing date predictions yet.
Audio version of Hidden Trump
A batch of minor edits has gone to Julia Motyka, and I hope to be able to publish in a couple of weeks. I will post up a snippet from Chapter 11 before then. You will enjoy this!
German version of Wild Card : Fortschritte bei der deutschen Version von Wild Card
My copyeditor is unable to complete the final checks and formatting until October, so I think publishing will be in November or December. My apologies, but I want to remain with the same team and process.
Mein Redakteur wird nicht in der Lage, um die letzten Überprüfungen und Formatierung bis Oktober abzuschließen, so dass ich denke Publishing wird im November oder Dezember sein. Es tut mir leid, aber ich möchte mit dem gleichen Team und Verfahren bleiben.
Ah! Just no time. Maria came in for a session. My son Joshua took some great photos (see earlier post on Bite Back Facebook), but actually taking that to complete covers with photoshopping the green screen from the background and overlaying onto cover background, then adding titles – too much at the moment.
Raw Deal 20,400
Sleight of Hand (ebook) 22,100
Sleight of Hand (audio) 728
Sleight of Hand (German) 1,400
Hidden Trump 16,000
Hidden Trump (German) 690
Wild Card 7,200
Cool Hand 3,400
The first four month’s sales for Cool Hand have closely matched Wild Card. My major concern is still the huge drop between Hidden Trump and Wild Card. After its first 19 months, Hidden Trump was at approximately double the level of Wild Card is now at, after the same time.
Raw Deal is in Kindle Unlimited. Just in case you’ve been meditating in the Siberian tundra for the last year or so, this Amazon scheme allows their Prime users to ‘borrow’ and read books for free. The indie authors (not trad published authors) are now paid for these ‘borrows’ on the basis of pages read, as reported back from your Kindle. Obviously, a borrow generates much lower income for the author, but Amazon argue, greater visibility.
You can still buy Raw Deal outright and there’s a 1:4 split in favor of buying.
Not really doing anything at the moment outside of maintaining the Facebook page and Athanate website. I do twitter, but I haven’t really got any understanding of how that works in a marketing sense.
I have RD in KU and I’ve kept the price of RD and SoH low.
So, a busy month in prospect, with another section for beta readers and an audio book to launch.
A no-writing weekend! I managed to make it to a lunch re-union of my Arvon writing course from 2011 on Saturday in London, got back home and went to bed, where I still am, snorting, sniveling and hacking.
Apologies that this is a bit late.
Nothing extraordinary to report. Sleight of Hand in all formats is just shy of 24,000 sales. I’m happy to see that Wild Card has been selling well again. The appearance of Cool Hand seems to have reminded some readers about the series.
Well, the new covers are not failing – books continue to sell, but I expected a little boost from simply changing covers, regardless of the actual covers themselves, and that didn’t happen. I also tried a weekend with SoH at $0.99, and the reaction was much smaller than when I did that for the old covers.
I’m having a photoshoot with Maria this week to get better stock for marketing, and at the same time I will re-do photos for SoH and HT. Once that’s done, I’ll sit down and have a look at everything.
Bite Back 5 is coming along slowly. I’ve been a bit distracted by the covers, getting a new audio narrator and work being done on the house. We’re having some repair & replacement of windows and the conservatory.
I always say before I start that the next book will be simpler and shorter. I’m always wrong. Bite Back 5 has the standard interleaving of threads and looks at this early stage to be around about the same length as Hidden Trump.
I’ve actually written more scenes from later in the book. The first quarter of the book has been difficult to write.
Why? Because Amber has to heal. I don’t give spoilers, but those of you that have read Cool Hand know that she’s due some down time! And part of that repair has to be to face all the horrors she’s managed to contain in her ‘strongbox’, the mental image she has of how she deals with these events on her past.
In dealing with them, I have to explore them, and these are not easy matters to write about. Fictional character or not, they are upsetting to write.
There’s also purely technical difficulties. A lot of this healing has to happen inside Amber’s head. This leads to descriptive difficulties in the narrative. In the everyday world I can say “she fell over on her butt – it hurt” and everyone can picture what’s going on and feel for her. But things happening inside Amber’s head need more explanation, especially as some of them have paranormal origins (or complications). All making it more difficult to communicate it clearly and concisely.
And if it isn’t concise, the plot will feel as if it’s not progressing. However, if it doesn’t set the scene for what happened, it will lose coherence and emotional impact.
I’ve ended this post with small part of chapter 2 to give you a flavor. Because this is Amber re-living events, I’ve put it in present tense, like the dream sequences in the rest of the series…
What else can I tell you about BB5 without spoilers
As mentioned before, it takes place largely in LA.
It will start to link in Manda and Scott from The Biting Cold short story, but it looks more like they will actually appear on the page in BB6.
Helicopters. Motorbikes. The underbelly of Tinseltown.
And sex. Well, Amber manages (only just) not to have sex in Cool Hand. But in BB5 she’s back with Jen and Alex and working to move that relationship on, even as tangled as it gets with her healing. There are three sex scenes currently in the outline for BB5. The one at the end might get moved to start BB6 with a bang, so to speak.
This was a difficult decision process, following Kimberly’s withdrawal from the Hidden Trump project. It was easy to take the list of possible narrators down to 6. Not so hard even to take it down to 2. But that last decision! In the end, I went with a lady who just sounds a little more like the voices in my head!
I have received a verbal agreement (well, email) from Julia Motyka to narrate the remainder of the series. Here she is narrating the Accidental Alchemist…
We’re just working through the formal legal agreements with ACX, the audio company.
Part of Chapter 2, Bite Back 5
“No, man, he’s got to go out big. This is it. This is the grand exit.”
The guy they’re talking about is John Elway. This January, he’d led the Broncos to their second successive Superbowl, rifling the ball through the Falcons’ defenses and running for a touchdown himself. He’s a football god, but he’s a thirty-eight year-old football god, and the fevered rumor mill at South High in the spring of 1999 says he’s going.
Back-to-back Superbowls, oldest MVP ever, more wins than any other starting quarterback.
Way to go.
But the boys aren’t asking my opinion.
Eerie, how a remembered sentence opens a door. The smells and sounds come rushing back, dragging faces and colors and tastes and more words behind them.
The locker room at South High. That institutional smell that no janitor can get rid of. And the sickly-sweet aroma of my emergency stash of sugar-rush candy. The corridor is shouty and echoey, full of just-before-class energy being burned off. And zombies on auto-pilot waiting for the caffeine to kick in.
I’m holding my locker open. That gives me half a place to hide. A moment to gather myself and shift mental gears for the school day. I need to think about class. Need to concentrate on schoolwork.
For all the talk, it’s not as if Elway and the Superbowl are the biggest things.
There’s a war in Kosovo. NATO have bombed the Serbians. Clinton said firm action but no troops on the ground. But they lied to us before. And, well, Clinton.
And bigger than that in my world, looming like a wall in front of me, there’s the Final Ruling just days away. My life might start over.
Will start over.
My locker door slams shut.
“Prom,” Cassie Quinn says, leaning against the closed door. Her mouth is set in a hard line. I’ve ducked this one too many times.
“It’s a month away.”
Cassie is the only reason I have any social life left, but that doesn’t mean she’s not irritating as a bug.
“It’s two weeks.”
“I’m sorry, Cassie. I can’t think about it right now. I promise, after—”
“By then it’ll be too late. Look, Amber, the insurance will come good. Dad says you’ve got a cast-iron case.”
The Final Ruling. The end of the legal battle over my dad’s huge medical bills that’s taken three years and pushed us further and further into debt.
“And his qualifications to make that assessment?” I ask.
Cassie’s parents have been a great support for Mom, but her dad’s got a tendency to say what makes Mom feel good at the time.
No way does that justify my pettiness.
But Cassie takes it all in her stride and keeps coming back. She just smiles crookedly, so I’ve got nothing to fight against, even if I want to lash out sometimes.
“I hate you,” I mutter, because she understands. She knows what I mean and doesn’t pay too much attention to what I say.
“Likewise.” Then her eyes look over my shoulder and go all wide and soft. “Oh, my God,” she says.
I was hoping to post news of the release in the next few weeks.
However, I’m afraid the project has received a setback. I just received an email from Kimberly Henrie, the narrator, who was scheduled to be most of the way through production by now. Unfortunately, she’s had to withdraw for personal reasons.
I don’t need to tell you that this is a blow. I am back to searching for narrators who capture that elusive Amber quality.
I cannot make a prediction about the delivery at the present and I apologise for the delays. Any developments will be posted here.
Writing is going okay, but it’s all editing at the moment, so no forward movement in the percentage completion figures at the moment. Cool Hand will be there in January.
Sales are the usual December bleh. Trumpf im Armel (German HT) is ticking along, and so is Wild Card.
I haven’t done a recommend for ages. This is an oddball…
- It’s written by a newbie writer who takes liberties with grammar…
- The book is self-published…
- The story is set in Denver…
- It involves an ex-military PI…
- The plot is multi-threaded…
- The setting is gritty…
- The hero is a hard case with a soft heart.
However, it’s about a guy called Sebastian Parks rather than Amber Farrell. The banter is very jock.
Author Kellen Burden‘s debut book Flash Bang is well done. Do *always* check the sample first – the style is ‘original’.